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・ Thomas Wiloch
・ Thomas Wils
・ Thomas Wilson
・ Thomas Wilson (Archdeacon of Cashel)
・ Thomas Wilson (Archdeacon of Worcester)
・ Thomas Wilson (bishop)
・ Thomas Wilson (c.1767–1852)
・ Thomas Wilson (composer)
・ Thomas Wilson (cricketer, born 1841)
・ Thomas Wilde Boothby
・ Thomas Wilde, 1st Baron Truro
・ Thomas Wildey
・ Thomas Wildman
・ Thomas Wiles
・ Thomas Wilford
Thomas Wilfred
・ Thomas Wilkes
・ Thomas Wilkes (MP)
・ Thomas Wilkins
・ Thomas Wilkins (antiquarian)
・ Thomas Wilkins (conductor)
・ Thomas Wilkinson
・ Thomas Wilkinson (Australian politician)
・ Thomas Wilkinson (bishop of Brandon)
・ Thomas Wilkinson (bishop of Hexham and Newcastle)
・ Thomas Wilkinson (bishop of Zululand)
・ Thomas Wilkinson (VC 1855)
・ Thomas Wilkinson (VC 1942)
・ Thomas Willeboirts Bosschaert
・ Thomas Willeford


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Thomas Wilfred : ウィキペディア英語版
Thomas Wilfred

Thomas Wilfred (June 18, 1889 in Naestved, Denmark - June 10, 1968 in Nyack, New York) born Richard Edgar Løvstrøm, was a musician and inventor. He is best known for his visual music he named ''(lumia )'' and his designs for color organs called Clavilux. Wilfred was not fond of the term "color organ", and coined the word "Clavilux" from Latin meaning "light played by key".
==Biography==
Wilfred's father ran a photography studio, and young Wilfred was exposed to the arts at a young age. He studied painting and poetry in Paris, and found early success as "Wilfred the Lute Player" traveling Europe and America performing minstrel songs on the archaic lute.
Around 1905 Wilfred began to experiment with bits of colored glass and light sources. After moving to New York he, along with Claude Fayette Bragdon and 'Kirk' Kirkpatrick Brice co-founded a group of Theosophists called the Prometheans. The Prometheans were dedicated to exploring spiritual matters through modern artistic expression. Brice served also as patron to the group.
While many people had experimented with light as an artistic medium (most notably the color organs) Wilfred was the first to speak of light as a formal artform. He coined the term "lumia" to describe "an eighth art" where light would stand on its own as an expressive artform. Wilfred was passionate that Lumia should be a silent art.
Wilfred's mechanisms were often complex designs that have been described as from the "Rube Goldberg school". He was a trained artist, but had little mechanical schooling. That said, his devices were very sturdy, and many still function with most of the original parts.
In 1919, Wilfred constructed the Clavilux Model A in his Long Island studio (located on the Brice estate). The first public recital came in 1922 and featured performances on the Clavilux Model B for audiences at the Neighborhood Playhouse in New York. The press was highly receptive. In the audience that first night was Leopold Stokowski.
The Clavilux was a complex instrument which allowed a person to create and perform Lumia compositions. Later models B-H were touring and lecture models, the last one being built prior to WWII.
Wilfred founded the Art Institute of Light, which had a recital hall in Chelsea, and then later at the Grand Central Palace.
World War II found the Grand Central Palace theatre turned into an Army induction center, and Wilfred did his part for the Allies by serving as a translator.
After the war, Wilfred no longer performed Clavilux recitals, concentrating his work on recorded Lumia and theatrical projection.
Wilfred was also an early pioneer in working with projected scenery for the theatre. His initial success in this was a 1930 Broadway production of Ibsen's ''The Vikings''. Wilfred did seminal work in the 1950s with the University of Washington's John Ashby Conway in this field.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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